How does one get to be seen as a person by others?
The photographer gazes, but can he see? This question transports us to the very core of portrait photography. Does the photographer capture the soul of his or her subject? Is he or she photographing him/herself or something else?
In his exhibition You Are Here Now (Olet nyt tässä), Antti Kirves has portrayed 20 people who share amongst them the common trait of looking the way they are. They are as they want to be, and they show this as they want to show it: by sporting lumberjack shirts or leather boots.
There is something in Kirves’s photographs that speaks about being human, about feeling at home in oneself. It is more than just wearing clothes that fit your values. A person’s appearance communicates his or her relationship with the world. To not care about what others think is a choice, an attitude even. Choosing one’s clothes is often a series of deliberate choices deeply rooted in one’s own identity.
To look at Kirves’s photographs is to look at him. In some way the photographs are his self-portraits, as straightforward and ordinary as they are delicate and complex.
As photographers, we filter everything through our personality – at least whenever we get the opportunity to make personal decisions about how we wish to tell our story.
Thus, it would be intriguing to think that perhaps portraits indeed are reflections of us, the photographers. However, the truth is in connecting: It has been said that a portrait of another person is never the photographer’s self-portrait – but it is not a “true” image of the subject either. It has also been said that a truly soulful photograph can only come to be in a space in which both the photographer and the subject are present. Only then will the photograph truly be unique.
Hannamari Shakya
Photographer, Publisher